List of bibliographic references indexed by Other hand
Number of relevant bibliographic references: 53.
[0-50] [
0 - 20][
0 - 50][
50-52][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000004 (2013) |
Peter Milward [Japon] | Book Reviews - |
| 000011 (2011) |
Mattias Lundberg | The Proper of the Mass in Sixteenth- and Early-Seventeenth-Century Lutheran Liturgies and its Relationships with Other Types of De Tempore Cycle |
| 000012 (2011) |
Reinhard Strohm | The Medieval Mass Proper, and the Arrival of Polyphonic Proper Settings in Central Europe |
| 000017 (2011) |
Tobias Rimek | Mass Propers in the Choirbooks of the Benedictine Abbey of SS. Ulrich and Afra in Augsburg (1575-1614): Between Tradition and Reform |
| 000019 (2011) |
David J. Burn | Leonhard Paminger's Manuscript of Mass Propers |
| 000024 (2011) |
Barbara Eichner | Getting Proper-ly Started: Isaac’s Choralis Constantinus and the Introduction of Polyphonic Mass Propers in South-German Monasteries |
| 000026 (2011) |
Bernadette Nelson | Fragments of Fifteenth-Century Northern Propers in Portugal |
| 000047 (2009) |
Noel O'Regan [Royaume-Uni] | Sacred music from the long cinquecento |
| 000110 (2006) |
Hugh Benham | William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.) |
| 000119 (2006) |
Stephen Rice | Northern European polyphony |
| 000129 (2006) |
Carlo M. Bajetta | Steven W. May and William A. Ringler Jr, Elizabethan Poetry: A Bibliography and First-line Index of English Verse, 1559–1603, 3 vols. Pp. xx + 2338. London and New York: Thoemmes Continuum, 2004. £395 (ISBN 0 2264 7278 8). |
| 000137 (2005) |
Ivan Moody | Visions of the Middle Ages |
| 000195 (2003) |
Barra Boydell | Review: Irish Classical Recordings: A Discography of Irish Art Music |
| 000251 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
| 000285 (1999) |
Shai Burstyn | Pre-1600 Music Listening: A Methodological Approach |
| 000301 (1998) |
Derek B. Scott | Orientalism and Musical Style |
| 000309 (1997) |
Bruce I. Miller [États-Unis] | ‘TRIAL BY JURY’, ED. STEVEN LEDBETTER |
| 000311 (1997) |
David Mateer | WILLIAM BYRD'S MIDDLESEX RECUSANCY |
| 000315 (1997) |
John Caldwell | REVIEWS OF BOOKS |
| 000316 (1997) |
Howard Schott | Pioneer harpsichordists on CD |
| 000371 (1994) |
José Luis Caivano [Argentine] | Color and Sound: Physical and Psychophysical Relations |
| 000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
| 000419 (1990) |
Jeffrey Wollock [États-Unis] | Communication disorder in renaissance Italy: An unreported case analysis by Hieronymus Mercurialis (1530–1606) |
| 000437 (1988) |
Keith Elcombe | REVIEWS OF MUSIC |
| 000438 (1988) |
Gerrie Ter Haar | RELIGIOUS EDUCATIONINAFRICA – Traditional, Islamic, and Christian |
| 000462 (1987) |
| REVIEWS OF BOOKS |
| 000464 (1986) |
Pamela Jones | Spectacle in Milan: Cesare Negri's torch dances |
| 000485 (1984) |
Oliver Neighbour | REVIEWS OF MUSIC |
| 000503 (1983) |
Andrew Ashbee | REVIEWS OF BOOKS |
| 000525 (1982) |
Denis Stevens (musicologue) | A Songe of fortie parts, made by Mr. Tallys |
| 000528 (1981) |
Craig Monson | Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources |
| 000542 (1980) |
Craig Monson | REVIEWS OF BOOKS |
| 000543 (1980) |
Julian Budden | REVIEWS OF BOOKS |
| 000577 (1978) |
Warwick Edwards | Music |
| 000580 (1978) |
Craig Monson | GEORGE KIRBYE AND THE ENGLISH MADRIGAL |
| 000655 (1970) |
Charles W. Warren | THE MUSIC OF ROYAL APPENDIX 12–16 |
| 000669 (1969) |
| BOOK REVIEWS |
| 000671 (1968) |
E. T. | REVIEWS OF BOOKS |
| 000679 (1968) |
Retha Jane Mason [États-Unis] | Designing Music Programs for Junior College |
| 000700 (1963) |
Joseph Kerman | ON WILLIAM BYRD'S EMENDEMUS IN MELIUS |
| 000732 (1958) |
| REVIEWS AND SHORT NOTICES |
| 000760 (1954) |
Herbert Solomon ; Benjamin Rosner | Chapter V: Factor Analysis |
| 000763 (1953) |
Edward E. Lowinsky | ENGLISH ORGAN MUSIC OF THE RENAISSANCE–I |
| 000807 (1944) |
Alfred Einstein | THE ELIZABETHAN MADRIGAL AND ‘MUSICA TRANSALPINA’ |
| 000813 (1943) |
Otto Gombosi | STEPHEN FOSTER AND “GREGORY WALKER”1 |
| 000815 (1942) |
Percy Aldridge Grainger | THE CULTURIZING POSSIBILITIES OF THE INSTRUMENTALLY SUPPLEMENTED A CAPPELLA CHOIR |
| 000840 (1937) |
E. W. | REVIEWS OF BOOKS |
| 000891 (1927) |
Orlando A. Mansfield | WHAT IS SACRED MUSIC? |
| 000894 (1927) |
R. W. S. Mendl | MASTERPIECES, CONTEMPORARY OPINIONS, AND IMMORTALITY |
| 000895 (1927) |
Alexander Brent Smith | CONCERT AUDIENCES |
| 000908 (1925) |
O. G. Sonneck | MODERNISTS, CLASSICS AND IMMORTALITY IN MUSIC |
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